Catherine Pancake’s complicity in Bloodland

Midway through Catherine Pancake’s video on citizen surveillance of the natural-gas fracking industry, Bloodland (all works cited, 2015), a female voice-over quotes Hito Steyerl’s 2009 essay “In Defense of the Poor Image,” on the cultural implications of highly circulated, low-resolution digital artifacts online: “The imperfect cinema is one that strives to overcome the divisions of […]