Quicktime: Fast, casual painting in Philadelphia

In his influential Art in America article “Provisional Painting” (2009), critic Raphael Rubinstein traced a history—from Joan Miró to Mary Heilmann—of “works that look casual, dashed-off, tentative, unfinished or self-cancelling,” that “constantly risk inconsequence or collapse.” In Rubinstein’s analysis, this attitude provides an easier yoke for artists tired of laboring under modern painting’s grand and […]